THAT IS PRICELESS

Johan Krouthén, Swedish

Of Course Bernard Could Have Just Removed That Atrocious Wallpaper Left By the Previous Owner, But Instead He Went With Plan B, 1886

Oil on canvas

Daniel Ridgway Knight, American

“Actually, I’m Not a Shepherd. I Direct Sheep Porn. You May Be Familiar With My Biggest Hit, ‘Ewe Do Ewe’?,” ca. 1890-95

Oil on canvas

Albert Edelfelt, Finnish

When Selecting Her Portrait Pose, Mrs. Fillmore Chose the Ever-Popular “Wait. Why Did I Come In Here Again?,” 1897

Oil on canvas

Daniel Ridgway Knight, American

“See, Ethan? Not Only Is This a Good Way To Start a Brush Fire, Now No One Can Prove That I Ever Received This Jury Summons,” 1884

Oil on canvas

Kazimierz Mirecki, Polish

Timothée Chalamet in “Einstein,” 1875

Oil on canvas

Henri Loubat, French

“I’m Thinking of Pitching ESPN a Lumberjack Reality Competition. I’m Calling It…’Chopped!,'” After 1880

Oil on canvas

Louise Catherine Breslau, Swiss

Cop By Day. Sculptor By Night. Catch All the Action This Fall on NBC’s “Busts!,” 1886-87

Oil on canvas

Laurits Tuxen, Danish

It Was Just Another Day at Drawing Class Until “Pour Some Sugar On Me” Came on the Radio. And Yes, As We Later Learned, It Was His Own Original Choreography, 1877

Oil on canvas

Émile-Charles Dameron, French

“Of Course She Likes It, Ma’am. We Bred This Cow To Give Capri-Sun,” Before 1908

Oil on canvas