
Hendrik van der Burgh, Dutch
“Great Moments in Phallic Faucetry” (Exhibit #17), Between 1825-27
Oil on panel
Hendrik van der Burgh, Dutch
“Great Moments in Phallic Faucetry” (Exhibit #17), Between 1825-27
Oil on panel
Eduard Charlemont, Austrian
“Well Harriet, It Appears My Services Won’t Be Needed Around Here Anymore. Master Winthorpe Has Gone and Bought Himself One of Those New-Fangled Alarm Clocks,” 1889
Oil on panel
André Brouillet, French
“If I May Take the Liberty of Finishing Her Sentence, I Believe What Miss Perkins Was in the Midst of Telling You Gentlemen Is That She Is a Narcoleptic,” 1887
Oil on canvas
Rose-AdĂ©laĂ¯de Ducreux, French
“I’ve Got a Riddle For You: How Did the Woman With No Musical Training Land a Job As a Harpist? She Pulled a Few Strings! (Thanks, I’ll Be Here All Concerto,”) 1791
Oil on canvas
Josef Gisela, Austrian
“I’ll Take the Chiefs To Win. Oh, and What’s the Over/Under on Taylor and Travis Making Heart Hands At Each Other During the Game?,” ca. 1888
Oil on panel
Pieter Quast, Dutch
“Seriously, Bro? I Can’t Believe You Fell For the Old Rattlesnake-On-The-Outhouse Toilet Seat Prank AGAIN,” ca. 1635
Oil on panel
Jan van Beers, Belgian
Fish Market Con Artists Fleecing a Mark With a Game of Three-Cod Monte, Date Unknown
Oil on panel
Émile Villa, French
“Oh, Great. That Stupid Woman at the Register Forgot To Remove the Plastic Security Thingy,” Date Unknown
Oil on canvas