MASTERPIECE #2554 Eugene de Blaas, Italian “You Know, When a Guy Mutters Crude, Objectifying Comments Like That, It Means He Likes You,” 1889 Oil on panel
MASTERPIECE #2552 George Catlin, American Sioux Flash Mob Doing the “Thriller” Dance (Led By Walks With the Moon), 1844 Print, hand-colored lithograph
MASTERPIECE #2551 Paul Gauguin, French “Ohhh, I See Your Game. You Purposely Chose To Break Up With Me Here, Because You Thought I Wouldn’t Make a Scene in Front of the Cows. Well, You Thought Wrong, Mister,” 1888 Oil on canvas
MASTERPIECE #2550 Max Nonnenbruch, German “Well, Sis, the Bad News Is You Missed the Target. The Good News Is It Looks Like We’re Eating Dolphin Tonight,” Date Unknown Oil on canvas
MASTERPIECE #2549 Felix Ehrlich, German Phil Was Confident His New Voodoo Doll Would Help Jeannette See Things His Way in the Divorce Settlement, 1888 Oil on canvas
MASTERPIECE #2539 Édouard Joseph Dantan, French Apparently, Kaitlyn Took It Literally When I Told Her To Break a Leg At Her New Modeling Job, 1887 Oil on canvas
MASTERPIECE #2538 Ernesto Ferreira Condeixa, Portuguese Portrait of Girl With Imaginary Friend, “Urnie,” 1884 Oil on canvas
MASTERPIECE #2537 Paul Gauguin, French “My Mom Keeps Bugging Me To Start Dating More. She’s Like ‘How Are You Going To Meet Someone Just Sitting Around in That Gauguin All Day?,'” 1885 Oil on canvas
MASTERPIECE #2536 Eugène Boudin, French “Mommy and Auntie Are Talking Right Now, Honey. Why Don’t You Go Play in One of Your Rooms?,” 1885 Oil on panel
MASTERPIECE #2535 Stanislaw Woyneko-Tomkiewicz, Polish Liz Vowed Then and There That This Was the Last Time She Got Dressed Without Checking Her Weather App First, 1886 Oil on canvas