Jean Béraud, French
“Oh, Great. Congresswoman Boebert and Her Boyfriend Are Back. I Hope They Show Some Manners This Time and Open Their Crinkly Condom Wrappers BEFORE the Curtain Goes Up,” Date Unknown
Oil on panel
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Artist info is pointed to in my comment and reply at another blog entry.
/// In the theatre, wasp-waisted Celine,
sits where she can both see and be seen.
In la loge, (or box seat),
can she be indiscreet?
(If she’s careful she won’t make a scene.)
/// She is cinched with so tight a constriction,
that her corset is heating from friction.
Organs squished north and south—
now her heart’s in her mouth,
and the pressure’s impeding her diction.
/// Her companion, René, sits well back,
twirls his mustache and plans his attack.
When the house lights go dim
Celine swivels toward him,
She will kiss, but saves sex for “the sack.”
/// The French theatre’s a famed public place,
where eyes scrutinize each well-known face.
Opera glasses can view,
stage, but audience too,
so discretion will fend off disgrace.
/// Still, they aren’t immune to the thrill
that the risks of exposure instill.
They’ll go “up to the edge”
hidden by the loge ledge.
(Cloaking passion in public takes skill.)