MASTERPIECE #3376

Anton Hickel, Austrian

“Then It’s Settled. Despite Not Being Remotely Funny, ‘The Bear’ Can Be in the Comedy Category. The Same Way We Let ‘Breaking Bad’ Compete as a Cooking Show,” 1793-94

Oil on canvas

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mabrndt
mabrndt
1 month ago

Info, or perhaps links that point to more info, about this artist can be found here (if truncated,can be read in full for free on Fridays), here, and here (Google Chrome or Mozilla Firefox browsers can automatically translate, if necessary), perhaps in addition to what’s in his Wikipedia page (Google translated French Wikipedia page may have more).

Last edited 1 month ago by mabrndt
mabrndt
mabrndt
1 month ago
Reply to  mabrndt

Oops. Last here link was supposed to point to this.

Solstice*1947
Solstice*1947
1 month ago

/// Anton Hickel had painted The House
of Commons, where “common” pols grouse
about matters of state,
and opponents they hate,
and flip-flop about what they espouse.

/// This is not the elite House of Lords
with nobility knighted by swords.
Though no high-ranking Brahmin,
what they all have in Common:
bewigged white guys (as Hickel records).

/// Back in France a peruke leads to dread.
If you wear one, the mob wants you dead.
Many nobles have bled
from a blade-severed head.
Better powder your donuts instead.

/// Why’d an Austrian paint William Pitt
the Younger, instead of a Brit?
Anton’s portraits were known
throughout Europe. He’s shown
ninety-seven men here where they sit.

/// They are seated in St Stephen’s Chapel,
where the Tory and Whig factions grapple,
making claims of depravity
over matters of gravity
(unrelated to Newton’s famed apple).

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