Walter Crane, English
The Birth of Venus (Had Fertility Drugs Been Involved), 1877
Tempera on canvas
MASTERPIECE #2328
MASTERPIECE #2327
Henry Gillard Glindoni, English
Jimmy Didn’t Particularly Love Being Watched While He Worked, But He Supposed It Came With the Territory When You Specialized in Nudes, 1877
Oil on canvas
MASTERPIECE #2325
Jules-Arsène Garnier, French
Before the Days of Jack the Ripper, the English Lived in Fear of Jackie the Stripper, 1883
Oil on paper laid on board
MASTERPIECE #2324
Walter Dendy Sadler, English
“Gentlemen, Please — You Know Very Well That’s Not Allowed. Now Get Back Inside the Rehab Clinic,” ca. 1889
Oil on canvas
MASTERPIECE #2322
Gari Melchers, American
“Mommy? Why Did That Other Lady Call Your Cloak an ‘Interesting Choice’?,” Date Unknown
Pastel
MASTERPIECE #2321
John George Brown, American
When Charlie Couldn’t Get FaceTime To Work On His Banana Phone, He Realized He Probably Should’ve Gone With the Apple One, Date Unkown
Oil on canvas
MASTERPIECE #2320
Henry Gillard Glindoni, English
Queen Elizabeth’s Royal Chemist Teaching Her Court How To Cook Meth, Date Unknown
Oil on canvas
MASTERPIECE #2319
Brock Nicol, Canadian
“What Am I? That’s a Tricky Question. Society Would Tell You I’m a Cowboy, But I Actually Identify As a Pirate,” ca. 2016
Oil on canvas
MASTERPIECE #2318
Henry Hetherington Emmerson, English
Rare Example of a Victorian-Era Painting With a Woman Displaying Her Calves, 1877
Oil on canvas
MASTERPIECE #2317
Richard Ansdell, English
“Okay Guys, We’re Good on Whole Milk For Now. So For the Next Few Days, If You Could Switch To Lowfat Lactose-Free, That Would Be Great,” ca. 1877
Oil on canvas